Category Archives: 20×24 In The News

The Polaroid Foundation creates new YouTube channel

Meet the World’s Largest Instant Camera | Polaroid 20×24

We’re taking the world’s largest instant camera on a round-the-world adventure to work artists of the most remarkable variety-and you’re coming with us. Subscribe today. #Inform #Space

 

The Polaroid Foundation, newly created in 2024 has launched a new YouTube channel to showcase its projects with artists from around the world. This channel features the 20×24 camera running a new integral film created by Polaroid in Enschede, the Netherlands. Join us for adventures around the world. Subscribe today!

Elsa Dorfman, champion of 20×24 photography dies at 83.

Elsa Dorfman, for decades one of the most visible advocates of the Polaroid 20×24 Camera has died at age 83.  Elsa began working with the 20×24 in 1980 when Polaroid sponsored her to use the camera to photograph the beat poet Allen Ginsberg.  This session led to many more and Elsa soon offered her signature style of 20×24 portraiture, unposed and unretouched.  Generations of families and Cambridge, MA notables would pose for her camera on a simple white background rendered in full length.  Dorfman played a huge role in saving the 20×24 project in 2008, bringing together a small team of former Polaroid employees with an investor to continue 20×24 beyond the life of Polaroid Corporation.  Over ten years later we celebrate the life and work of a one of a kind original, Elsa Dorfman.

Elsa Solo

This is “Elsa Solo” by John Reuter on Vimeo, the home for high quality videos and the people who love them.

20×24 Studio Berlin Opens

We are very excited to announce that a new 20×24 Studio has opened in Berlin, Germany.  It is run by Markus Mahla and Oliver Blohm.  Here is an excerpt from an interview with Mahla in The Phoblographer.

Markus Mahla: 20×24 Studio Berlin is a one-of-a-kind place that brings one of the most unique cameras of the last century back to life: the 20×24 Polaroid Land Camera. Polaroid built only five of these cameras in the 1970s. At our new location in the heart of Berlin, we present the beautiful number 5. It is the only operating 20×24 Land Camera outside the US. Number 2 is with John Reuter in NYC, and Number 3 is with Elsa Dorfman in Boston Area. What we do is pretty special: we produce mega format instant photography.

“I observed over the past years (and I was part of digital transitions in several companies with large and strong brands) that the more ‘digital’ young folks get or are, the more they are also very much interested in analogue experiences, such as taking a Polaroid picture. A process that you can touch, feel, smell, see, hear.”

What all groups, clients and partners have in common is that they adore what we do. The 20×24 inch size is simply overwhelming; it gives you goosebumps and makes you overjoyed. I have never seen anybody who was not blissfully happy about his image and people who watch and follow the photography process are enthusiastic. This process was and is magic and attracts everyone in its spell. Taking a single photograph is an event in itself but, peeling this huge image apart in front of an audience, literally a minute after pulling it out of the huge camera, is a ball. People are moaning, applauding, screaming, they get goosebumps – we had folks who were in tears when their portrait was peeled off. It’s always a very special moment. Even me being around this wonderful peace of art for quite a while, I’m getting excited while I tell all this to you.

Wherever we go, the 20×24 Land Camera is an eye-catcher. People are super excited – it feels to me that they are even more excited compared to the past since this is such an unexpected surprise. The wooden camera and the way we operate looks like were from a Jules Verne novel. Hardly anybody can actually believe that something like this really exists in our digital world. It is spectacular.

 

 

 

20×24 Studio to Continue Operations in 2019

The 20×24 Studio announces today that studio and production operations will continue through 2019. Previous plans to end operations at the end of 2017 were changed when improvements this summer in reagent recipes and production procedures substantially improved the performance of the remaining film stock. “The film itself has always remained in very good condition” according to John Reuter. “The aging chemicals have been the main problem but the replacing of some and alterations in recipes and process have allowed us to continue to provide a viable product.” The negative remains in cold storage and positive rolls in a climate controlled space.

“We are negotiating for some exciting projects in the US and abroad and will continue to make the camera available through our New York Studio.” says Reuter. “The encouragement from our existing customers and supporters has prompted us to put renewed effort into making this venerable technology available. It is however a finite amount of material and will not last indefinitely so we encourage those interested in the ultimate large format instant experience to contact us during this year. There may be new instant films in the future but our focus right now is continuing to make this beautiful original film made by Polaroid available as long as possible”.